Synthesis: "As above, so below"

I wrote in my first blog entry in biochemistry about the concept of "as above, so below", a quote by the early philosopher Hermes.  After studying physics, I can say that by understanding chaos theory and fractals, I see how reducing something in nature down to its smallest parts shows the same patterns as when its a whole. It still remains to be proven how this happens on a macro scale in the universe in comparison to our Earth.  However, when it comes down to vibrations, we can see that all things, be it subatomic particles, cells, trees, buildings, humans, even whole planets all have them.  Is this a coincidence?  I don't think so, modern physics is proving what ancient philosophers have theorized for centuries.  I wrote a research paper 10 years ago on the use of cosmically tuned tuning forks to help treat ailments when applied to acupressure points.  The forks are tuned to the tones of the Sun's, Earth's, and Moon's vibrations.  There are other planetary forks as well, and recently, I was told that there is actually a "Jesus Hertz", lol.  Maybe this is why we, as humans, are so drawn to music?  It does seem to be the highest form of communication, transcending otherwise impenetrable barriers between people, religions, races.  The excerpt below will explain what I feel is the ultimate synthesis of vibratory states and is the concept of which the cosmic tuning forks are based upon:

From Wikipedia:

The Music of the Spheres incorporates the metaphysical principle that mathematical relationships express qualities or "tones" of energy which manifest in numbers, visual angles, shapes and sounds – all connected within a pattern of proportion. Pythagoras first identified that the pitch of a musical note is in proportion to the length of the string that produces it, and that intervals between harmonious sound frequencies form simple numerical ratios.[1] In a theory known as the Harmony of the Spheres, Pythagoras proposed that the Sun, Moon and planets all emit their own unique hum (orbital resonance) based on their orbital revolution,[2] and that the quality of life on Earth reflects the tenor of celestial sounds which are physically imperceptible to the human ear.[3] Subsequently, Plato described astronomy and music as "twinned" studies of sensual recognition: astronomy for the eyes, music for the ears, and both requiring knowledge of numerical proportions.[4]